Thanks Philip! Image credit: Philip Bloom. Image credit: Philip Bloom. Overall, though, the FX9 behaved well, and the images are great. Although the sensor resolution is 6K, the camera does not (yet) record 6K video (in fact, the XAVC-I codec does not support a resolution larger than 4K). Jakub has over 7 years of experience with camera work and post-production. SAN DIEGO, Sept. 13, 2019 /PRNewswire/ -- At IBC 2019 in Amsterdam, Sony today unveiled the PXW-FX9, its first XDCAM camera featuring an advanced 6K² full-frame sensor and Fast Hybrid Auto Focus (AF) system.The new camera offers content creators greater creative freedom and flexibility to capture stunning images that truly resonate with audiences. EF to PL mount (PM-V1) 3. He praised its reliability. I shouldn’t have used faces. It’s generally how I can tell how these cameras behave on real-world shoots in paying, high pressure, one-take situations. While the FX6 fits seamlessly into a pro-cine on-set workflow, it also offers several features that are a boon for a single-operator user. Leave a Reply Cancel reply. The Sony PXW-FX9, or the Sony FX9, for short is a serious full-frame video camera that, despite its price, offers great value for serious videographers. It depends on the lenses you are going to use it with. As I mentioned earlier, as of today, it only records a 6K image but downsamples it to 4K (UHD). This was the hardest camera review I have ever made. For this shoot, I needed to hike to the top of some nearby cliffs, which, for me, wasn’t that far a hike, distance-wise. Since I was handling the audio myself as well, I was happy the FX9 made that task easy. Very comprehensive and useful! It is all that those cameras offered but now on a state of the art Full Frame sensor with Dual ISO capable of 800 and 4000 depending on the needed use. We only send updates about our most relevant articles. With a price difference of $11,000 vs $6,000 did Sony kill the FX9 with the FX6 before anyone even started using it? To test the FX9, I decided to shoot with it in the field as much as possible instead of spending time shooting test charts and taking measurements. In FF 4K mode, the FX9 maxes out at 30 fps. However, it’s very important to point out that at press time, the FX9 doesn’t record in 6K resolution. What I showed in that section was how you move the cursor for object selection. It offers a nice way to mount and adjust the EVF or monitor without tolls. Autofocus: The FX9’s AF was exceptional when tracking faces in interviews. What’s more is that the FX9 only shoots higher frame rates if you window the sensor down to S35 size. Zunow SWV-E11 11-16mm E-Mount F2.8 Zoom Lens. So, by the time I made it to the top of the cliffs, I had had a pretty good workout and needed to rest a couple of times. Sony FX9 Review 2020. Many professionals in the film industry only use manual focus, but since the AF became so capable, it is important to take a look at what it can do and what it can’t do. Thanks! ** High-speed, high-precision image processing maintains a pin-sharp focus. Sony has announced new firmware for both the Venice and FX9 cameras. For slow-motion in 1080p (up to 120fps), you need to change the scanning mode to 2K (full-frame), which scans the sensor in a lower resolution so it degrades the image quality a bit. With the introduction of their new PXW-FX9 XDCAM, Sony is taking one of their most significant steps towards combining many of their best technical innovations and tools into a single category-defining device. Image credit: Philip Bloom. sorry when I went from person to person that was not for switching between faces that was just to show how you can use the camera to do focus pull. That’s why we decided to publish this article about the review. Now, to be frank, as someone who bought an FX9, I am not too happy about this. Note the windows behind him, which were not tinted or ND gelled. Venice Version 6.0 firmware, to be released in November, adds the ability to import a new Advanced Rendering Transform (.art) file, including a new “Technicolor-look library,” a second user frame line and expanded high frame rate (HFR) capabilities. Let us know in the comments underneath the article. Additionally, I tried shooting one of the most difficult subjects for auto focus—birds in flight—shooting some brown pelicans dive bombing from about 100 feet up into the water. Great review but I’ve found a major problem with the camera. Sony FX9 Review. It was roughly 2.5 miles from the parking lot to the spot I chose. Many customers already received their camera and shot projects with it. As there are not many good oss lenses out there for emount and the gyro stabilization definitely degrades image quality and you cannot even use oss. The FX9 uses the lever-lock version of the E-mount, so it is not possible to mount the lens using only one hand. The Sony FX6 has arrived to great acclaim.. No Film School got hands-on with FX6, and we thought it a fantastic camera complete with features you want as a videographer.But that's just our opinion. One of the most important topics is the camera’s autofocus. If you window the sensor to S35 size, you can shoot up to 59.94 fps, but you have to go down to HD resolution to achieve the camera’s maximum frame rate of 120 fps. It is quite expensive and bulky though. To my eyes, skin tones in particular on both cameras have a specific blue/cyan quality, straight out of camera, that looks unflattering to me. Should you opt for a locking mount? Full-frame is now also only available up to 30fps. As an essential piece of accessory, he recommends getting a different top plate, because the Sony rod system for the display is not that well designed. VCT Base Plate. It was a somewhat strenuous trek, but I was rewarded by a spectacular sunset, and the FX9 was a joy to shoot with. There is a rumor that the display actually is a touchscreen, it is just not enabled. Sony, however, did not officially confirm this yet. Review of the Sony PMW-200; Sony FS100 and F3 Video Review; Sony NEX-EA50 Review. The Sony FS7 was Philip’s main documentary camera for many years. A big chunk of Philip’s FX9 review, therefore, was dedicated to its autofocus. Image credit: Philip Bloom. The FX9 uses the physically larger 6K native full-frame sensor, which measures 35.7mm x 18.8mm. The market segment that buys and uses the FS7 and FS7 MKII rarely would ever need RAW recording. 16bit RAW and D-Tap for production, and wired LAN and Dual Link capability for live streaming and file transfer to enhance ENG operation. I even drove more than 100 miles up and down the Southern California coast at several spots that are popular with windsurfers. This data can then be used with a Catalyst Browser to stabilize the footage during post-production. Digital Camera World. I think its one of the main flaws of the fx9: no sensor stabilization. 6K, 4K, HD And Frame Rates: Although a headline feature, 6K isn’t really the showstopper you would think it might be with the FX9. Sony FX9 Review – Sensor Modes. In my opinion, the footage looked good, and the FX9 behaved well in these extremely bright, contrast-filled conditions. This article shortly summarizes his review. Compare that with the FX9 – much lower high frame rates – only 30p without crop – and no autofocus whatsoever once you go into the S&Q high-speed recording modes. cinema5D GmbH, Kranzgasse 22/9-10, A-1150 Vienna, Austria, MTF Services Converts SIRUI 50mm and 35mm Anamorphic Lenses to L-Mount, TDM Audio Pro UVC Case Disinfects Your Microphones, GoPro Karma Drone - Controller Pairing Issues, Boris FX Mocha Pro 2021 adds PowerMesh Tracking, MZed Course Review – The Art & Technique of Film Editing with Tom Cross, Panasonic LUMIX BGH1 First Look Review & Mini Documentary, Astera NYX Review - The Quest for the Perfect Cinema Lightbulb, Free Sony FX9 Tutorial, 3.5 Hours Long, with Alister Chapman. For this shoot, it was the first time I had a chance to use the FX9’s face detect/auto focus, and the results were impressive. Whether you're shooting documentaries, events, reality TV, education, or corporate productions, the PXW-FX9 XDCAM 6K Full-Frame Camera System from Sony has you covered with its powerful and flexible 4K interchangeable lens camera system. The low light performance is much better than it was with the Sony FS7 and the image seems fine and clean even at ISO 12.800. 10-16. He also said that “autofocus is not simply a switch to turn on and everything is magically in focus, it takes skill and practice to get the best out of it.”. And while it’s not a perfect cinema camera, when you go down its list of headline features, there is a lot to get excited about. Contrast this with the Sony, where you can dial in all of your shutter, ISO and aperture settings and then dial in the exact amount of the ND needed. When shooting surfers at a distance on a bright day, the ability to easily narrow the wider FF FOV to a S35 FOV helped me maximize the focal length of the FE 100-400mm f/4.5-5.6 G OSS zoom for a bit of extra reach. On the same shoot, I switched the camera from Slog3.Cine gamma to the S-Cinetone gamma—the producer requested that I achieve a usable look straight out of camera—and we both were happy with how the FX9 rendered skin tones on our talent. S-Cinetone And SOOC Colors: In the past, clients have asked me to shoot with the SOOC (Straight Out Of Camera) colors in mind. Fortunately, I saw a class of lifeguards on the beach, running in and out of the water and up and down the beach. When Sony launched its new Sony PXW-FX9 camcorder earlier this year, shooters were excited to see a full frame, fast hybrid autofocus, Dual-base-ISO lowlight capable camera starting at $11,000 come to market. Most projection systems aren’t very bright, especially in comparison to the lighting output you’ll use to light your talent. It is, admittedly, not my favorite lens. It changes the bokeh while maintaining the exposure by changing the ND level while opening or closing the IRIS. I won’t go in-depth on every feature and specification available on the FX9, but here are some of the headline features and what’s significant about them: Sony’s Exmor R CMOS Sensor Full-Frame Sensor: In actual use, the extra light-gathering ability of the FF sensor was handy when using the FE PZ 28-135mm f/4.0 G OSS lens for interiors and interviews. I used the Sony FE 100-400mm F4.5-5.6 OSS G telephoto zoom lens, selecting a variety of frame rates and sensor sizes, and even shot some 120 fps footage of the subjects. However, I was disappointed, since the weather and conditions just didn’t cooperate. For at least the past year or so, the digital cinema camera market has become obsessed with full-frame sensors and using them to record a full-frame image using a 6K or 8K raster, which raises the question: Does anyone really need 6K or 8K acquisition? 19th November 2020. And I even tested the camera’s gain at +6dB, and I was pleasantly surprised at how little grain was visible running the camera at ISO 4000 and adding gain. I shot three interviews with the FX9—and all were very flattering, SOOC. Philip says that having a touchscreen for the autofocus would certainly be a VERY welcomed feature. During an interview or portraiture shoot, you can rely upon Eye AF to capture your subject’s most subtle expressions while you concentrate on the interview and framing. It will only become a capable alternative for many shooting scenarios. I need to get my hands on the camera for a longer period to do a proper evaluation. I was impressed, and I think you’ll be pleasantly surprised at how clean and low-noise the ISO 4000 looks, particularly if you only have S35 camera experience with ISO 4000, whether with a dual ISO base camera or with just a fixed ISO camera with the gain turned up. FX9 has a dual base ISO of 800, and 4000 Creatives tips and inspirational stories for filmmakers. This is going to be a short blog post for now. With the review unit Sony sent me, they sent an older 28-135mm F4. You then need to buy additional hardware: A future RAW-recording solution will likely require a separate third-party device, for an additional $1,500 to $2,500, to actually record the 16-bit output of the XDCA-FX9 back. Cheap, but not nasty tripod. It was predictable and ergonomically sound, and, most importantly, my clients found the footage to be great for their needs. One thing Sony tends to do better than many of its competitors in the pro cinema camera market is to read and respond to market segment demand. Copyright © 2020 HD Video Pro. An important note is that the autofocus only works when the camera’s frequency matches the framerate. Marketplace. Sony is the first to offer a full-frame cinema camera in this price range. We are also working with it and are preparing tests on the camera around various aspects of it. At the core of the Sony FX9 is a brand new full-frame 6K sensor designed to output to UHD 4K at up to 60fps. © 2020 All rights reserved. I also found the FX9’s Face Detect feature flawless: When shooting three different interviews in three different lighting setups and locations, including a couple that appeared in a low-contrast, moody type of lighting, the FX9 nailed focus on the constantly moving subjects every time. Face Priority AF will focus on the subject’s face, but when there are no faces in the frame, it will refocus on the background. I found it is by far the best, most innovative ND system in any pro digital cinema camera, rendering other competitors’ ND systems rather limited and primitive feeling, with clunky fixed stops and often not enough ND at just six stops. On the first day, we had light rain and no wind, and on the second day, the sky brightened up, but there was still no wind. FX9 Guide. In real-world shooting conditions, I found the FX9 to be a solid performer. If you are in the market for this type of camera, you should borrow, rent or evaluate it because I think the FX9 will be a relevant camera in our extremely fast-changing market for years to come. As it stands I spent some time with it last week at the invitation of Sony. I positioned myself at the mouth of the harbor, up on a breakwater, where I also photographed pelicans, herons feeding, and boats entering and exiting the harbor. This article shortly summarizes his review. I believe that the Canon and this Sony are likely seeing about 13.5 usable stops, rather than the claimed 15 stops, but regardless of that, I did see a nice distribution of DR and latitude when I pushed the FX9 as hard as I possibly could shooting a couple of sunset scenes. But on the FX9, you’ll find a new gamma and look called S-Cinetone, which is straight out of camera, and its color that is supposedly profiled to resemble the color science from the Sony Venice, which produces very nice, accurate, flattering skin tones. Read honest and unbiased product reviews from our users. Sony FX9 Review – Accessories. Dual ISO: Since the FX9 has dual base ISOs of 800 and 4000, I tested grain and noise by shooting ISO 800 base for exteriors and ISO base of 4000 for interiors. It is possible to tweak various aspects of the AF, like transition speed, sensitivity, and so on. Sony FX9 review. This offers a different tool than the focus pull – it still keeps the main subject in focus, but slowly reveals or hides everything else in the frame. Sony FX9 Review – Face tracking autofocus did not function 100% of the time. With the review unit Sony sent me, they sent an older 28-135mm F4. Aside from the expense, this hardware adds significant weight and cable clutter to the FX9, as well. The FX9 offers a new S-Cinetone color profile, which Philip used a lot in the course of his review. If you’re just using Canon still lenses then probably not. Building on the success of the Sony FX7, which the company once claimed is the most sold Super35 camera of all time, the FX9 boasts a newly-developed 6K sensor with more than … Its highest setting is in UHD (3840 x 2160) at 16:9. The Sony FX9 full-frame cinema camera has been out on the market for a few months now. However, I look at this issue a little differently and like what Sony has done with RAW and the FX9. Really regretting my purchase and feel very misled by all the online reviews/marketing as this is a key feature on the camera and there are no alternatives/work arounds. He also tried wearing different masks. I decided to take the camera to the harbor to shoot footage of whatever I could find there. The Electronic Variable ND Filter (eND) is implemented better than in the previous Sony cameras according to Philip. My verdict? Sony FX9 does not have sensor stabilization, but it records data from its gyroscope. It’s a tug of war between the $3,500 a7S III and the $11,000 FX9. Philip recommends mapping Focus Hold to a function button. The stabilisation doesn’t work on long clips shot at UHD 60p. The Sony HX99 is a tiny camera with a massive zoom. When you're considering a camera purchase, it's always good to outline what your wants and needs that are specific to your workflow. Jakub Han is a freelance filmmaker based in Vienna. With its companion Full-Frame zoom lens, this system is about the same size and weight as Super35 predecessors and still shoots both formats. I should not have used face really. The FX9 S-Cinetone Gamma setting helped me to easily and quickly dial in an image straight out of camera that looks really good, like this interview shot at a post house screening room with a film restoration expert. Extension Unit for FX9 camera. Filmmaking Insights. For the best autofocus results, however, a native E-mount glass is needed. Altogether, around eight weeks of work in total. First off I was finishing my MZed course then this monster swallowed up all my time! Review of the Sony FX6 – A most confusing camera Camera Reviews. For higher frame rates it is necessary to switch into a Super35 mode. Sony, of course, knows a lot about what serious filmmakers need – as proven by the popularity of its FS7 camera that has been a … So you’ll have to switch to S35 FOV to obtain 4K 60p recording. The video is being downsampled to 4K. Also, for $11,000, it has a lot of quality and a robust feature set. The first time I see in a video how complicated it is to select another face with the joystick. Sony XDCA-FX9 Extension Unit for PXW-FX9 Sony XDCA-FX9 Extension Unit for PXW-FX9 will provide additional capability and I/O to transform the FX9 into a high-end Production Camera or an ENG Camera. A quick review of the Sony FX9 The Sony PXW-FX9 is an affordable, compact, lightweight Full-Frame and Super35 cine camera. The FX9 review does not cover as many aspects of the camera as the FS7 review, but it covers these topics much more in-depth. It will keep looking for a face and when that again reappears, it will track it and keep it in focus. In a nutshell, Version 2.0 expands the camera’s shooting and recording capabilities by including FF Crop 5K mode, new 4K DCI options, User 3D LUT support, RAW output support, HDR Support, AF Improvements, added frame rate options for … However, after using the Sony FX9 autofocus with the 28-135mm f/4.0, I have changed my tune. These are exactly the two things that the Sony FX9 aims to fix. It is simply a case of moving the cursor to the face you want by tapping left or right on the d pad or joystick. Finally released, it covers many aspects of the camera – some of them very extensively. Best Cinema Camera? Sony FX6 on the new Sachtler Aktiv head with a Flowtech tripod. 6K, 4K, HD And Frame Rates: Although a headline feature, 6K isn’t really the showstopper you would think it might be with the FX9. Some cameras are really simple to do but this one wasn’t both in the camera itself and the wider picture. Vinten 100 Tripod Review; Wifeng WF717 Tripod. He said, in terms of ergonomics, the FX9 is much better and more usable out of the box than the FS7 was. The Canon C500 Mark IIis definitely more expensive on paper. Add requests, ask questions, post pictures of … But I’ve never been satisfied with the color science of the FS7 and FS7 MKII straight out of camera. It allowed me to capture subjects with movement. First off I was finishing my MZed course then this monster swallowed up all my time! However, after using the Sony FX9 autofocus with the … Sony offers the FX9, just above the … A 16x 24-384mm Sony G lens, built-in GPS tracking, full 1080p high-definition video with stereo sound, a 16 megapixel CMOS sensor, high-resolution 3-inch screen, manual shooting mode, 10fps continuous shooting, 3D photos, and SD memory card support are all … As mentioned in the video, autofocus in video cameras needs to really be accurate, smooth, and reliable. If you’re using cine lenses or heavier zoom lenses then definitely yes. Overall, I think you’ll find the DR of the FX9 to be very good, especially keeping in mind this an $11k camera, not a $50k or $80K digital cinema camera. Shoot Number Four–Harbor Shoot: For my last day with the FX9, I decided to capture windsurfers. FX9 is the world’s first professional camcorder with Sony’s world-leading eye-tracking technology. The autofocus on the FX9 works best with native Sony glass, but it also somewhat works with adapted EF-mount glass with the Sigma MC-11 adapter or the Metabones adapters. There’s an external solution, but it’s pricey: You’ll need Sony’s optional XDCA-FX9 extension unit, which costs $2,498 extra. Since then, Philip spent two weeks of filming with the FX9 in November (with the pre-release firmware 0.5) and then on and off for the next three months (release firmware 1.0). With the FX9, Sony provides a potential option for RAW capture. First-Look Review: The Olympus OM-D E-M1 Mark III In Costa Rica, Hands-On Review: Blackmagic Design Pocket Cinema Camera 6K. Focus Hold is a useful function to keep the camera from refocusing when the AF-locked-face exits the frame. There are more crop modes of the 3:2 sensor. Even with these limitations, I never thought I’d say it, but overall, the FF sensor is a distinct advantage over only having a S35 sensor. PXW-FX9. Sony says the Exmor R sensor provides 15+ stops of dynamic range and has a dual base ISO at 800 and 4000. The Sony FX9 screen does not have a touchscreen function. The Sony XDCA-FX9 extension unit offers not only the V-Mount battery plate but some other extra functions like the RAW output. The 1080p 120fps footage still looks quite nice according to Philip. (The max 6K full-frame rate is 30p.) sorry no. Variable ND Filter System: Sony implemented an electronic variable ND filter into the FS7 MKII, and that same feature carries into the FX9. The AF box tracked the talent like glue and never wavered even once. Sony FX9 Review – Variable eND. It is always a two-handed operation. The standard EF mount is non-locking. Audio was excellent, too: I ran a Schoeps CMC641 Supercardioid boom mic into channel one and a TRAM TR50B wired lavalier into channel two. And if you don't like our newsletter, you can unsubscribe with a single click, the link is at the bottom of every newsletter. Philip sent his findings to Sony, so hopefully, they can fine-tune the AF even more with future firmware updates. It doesn’t come as much of a surprise that Sony didn’t put the same sensor as the FX9 and VENICE in the FX6. It’s why Sony has become a powerhouse in the market segment of event, corporate and reality shooting with two models—Sony’s PXW-FS7 and FS7 MKII. The autofocus struggles for instance with a dark face and bright background or when there are many faces in the frame. There is no RAW from this camerea yet, probably we need to wait for update :),the PrRes Raw, can not be edited in Davinci Resolve . I liked how the FX9 supported four audio channels, allowing me to duplicate my two inputs to channels three and four, and offset them to -10dB lower as my safety channels. So, what I shoot is what they get. Before the Sony FX9, the fly-by-wire build of the 28-135mm was slightly lens responsive than I usually enjoy in a lens. The Sony FX9 camera review by Philip Bloom is a nearly two-hours long in-depth video review, which he shot over the last four months. Philip dedicated a part of his review to talk about useful FX9 accessories. (VENICE dual base ISO 500 and 2500). Browse/Prepare just crashes and Sony aren’t taking the problem seriously. I didn't know what it was going to be before hand and even though it isn't officially this, for me this is the true FS7 II, the true successor. And once again, the face detect/auto focus behaved flawlessly, even under low lighting levels. What was initially only supposed to be a short camera review shot in November 2019 with the pre-production firmware 0.5, grew into nearly two hours long in-depth review. Wow. What the Sony FX6 will cost is a little up in the air as well. In many real-world scenarios, however, it was performing very well and the AF was reliable most of the time. But like it or not, the digital cinema camera business has turned into a sensor- and raster-size arms race. Philip uses the Zacuto Top Plate. If you don’t need that many extra features, there are also third-party powering solutions (battery plates) for the FX9. Sony FX9 Review – Face tracking autofocus. Now, I have hiked this trail dozens of times, and it’s pretty easy for me (since I’m an avid hiker). Technically speaking, the variable ND was extremely useful, since I could pan on and off the incredibly bright sun and some rock formations surrounding it, and the Variable ND on the FX9 would smoothly ramp up the exposure so I could keep the same f/stop, ISO and shutter speed. Finally released, it covers many aspects of the camera – some of them very extensively. Follow. EF locking (CM-V1) 2. Currently, the FX9 has a firmware version 1.0, but it is still missing some features like a full-frame slow-motion, 6K resolution recording (not sure if it will ever come), 4K and 2K DCI modes, a 5K crop mode, and some other features, many of which are coming later with future firmware updates, expected in summer 2020. In its segment, I think the FX9 is going to be hard to beat for working pros in the corporate, event and reality markets. Announced back in April and scheduled for release in October 2020, Sony FX9 Firmware 2.0 is now available for download a month ahead of the planned date. The FX9 offers various modes of face tracking autofocus. Sony FX6 view with the Sony FE 24-105mm f/4 G OSS lens. B4 mou… Keep up to date with all our latest news! In my view, no, or at least, very few do. Sony rates the FX9 at 15 stops, the same as the Canon C200 when shooting Cinema RAW Light in Clog 2. The FX9 has a dual ISO sensor, the lower native ISO is 800 and the higher native ISO is 4000. Canon has the C500 MK II, but it costs $16k, so it’s likely not in the same consideration as the FX6. Discover FX9, Sony’s full-frame 6K sensor camera with Fast Hybrid AF, Dual Base ISO and S-Cinetone™ colour science. It is super easy and is the same way that other autofocus cameras switch faces during this mode, Canon too. To answer these questions I took a pre-production FX9 into the nearby town of Windsor with a couple of cheap Sony E-Mount lenses. The Sony Cyber-shot DSC-HX9V is a new travel-zoom compact camera that seemingly offers all of the latest must-have features. He tested various cameras throughout his career and for the past four months, he has been playing with the Sony FX9. Image credit: Philip Bloom, Philip does not think the autofocus is going to replace the manual focus workflow and focus pullers in the near future. many of those also allow a small BP-U battery to be inserted to the camera at the same time to provide for a hot-swap ability. Also, I was impressed with Sony’s AF technology, which is probably the best in the business. Shoot Number Three–Interview Day: For our interview with a film restoration artist, we set up shop in the screening room at Post Haste Digital in Los Angeles, which would be a good test of the FX9’s dynamic range. S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colors, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. The Sony PXW-FX9 Exmor R CMOS sensor is a brand-new variant that is closer in color science to the Venice than the FS7 MKII. Before the Sony FX9, the fly-by-wire build of the 28-135mm was slightly lens responsive than I usually enjoy in a lens. Philip even tried to draw different faces on a whiteboard and he tested when the camera recognizes the drawing as a face. Face-Only Mode stays on the subject’s face and when it disappears from the frame, the camera does not refocus to the background. Pricing. One of the most important topics is the camera’s autofocus. Sony PXW-FX9 & PXW-FX6 has 3,986 members. Philip recommends the Wooden Camera battery plate (because it can be simply flipped up to replace the internal BP-U battery) and the Core SWX plate. I did make one discovery while shooting: When you shoot S&Q (slow and quick) frame-rate footage, the FX9 is manual focus only, a challenge when shooting moving subjects at a 400m focal length. You need to pay $2,199 extra for a locking EF mount (called EF-C) from Canon.