In saying that, Canon has shown me that they are willing to cannibalize more expensive offerings to win back sales. The original EOS C500 shot uncompressed 4K RAW (4096 x 2160-pixel) 24,25,30,50 and 60fps video to an external recorder in 10-bit 4:4:4 using 3G HD/SDI connections. It depends on the lenses you are going to use it with. I think the future of both the EOS C300 Mark II and EOS C700 series is very uncertain after this release. Your Canon C500 Mark II ARRI PCA are compatible with the new C300 Mark III 7 months ago Canon just announced the new C300 Mark III, and now ARRI confirm PCA compatibility. Canon C300 Mark II – $11,999 at B & H When ISO speed expansion is ON: between -2 dB and 54 dB When ISO speed expansion is OFF: Any value from -2 dB to 42 dB in 0.5 dB increments can be set. “Form factor has been key to the success of the Cinema EOS line since the original C300. Lighting an impossible street crowd scene with just two small LED lights. Here’s a summary of each round, and the “winner”: It should be blatantly obvious by now which camera is suited for what. 2048 X 1080: 50.00P, YCC 4:2:0 8-bit 35 Mbps/25.00P. A focus pre-set feature allows separate predetermined focus points to be selected, and when the SET button is pushed, the lens will move the focus from one mark to the other. The good news is most NLE’s can read it with plugins. Clients do pay extra for color grading or DI, and there are decent enough budgets for: You will be working with enough margins to recoup the additional cost in just a matter of months. The Canon EOS C500 Mark II will retail for $15,999 USD and it will be available to purchase in December. Canon has seemed content to protect their higher-end models at any cost by releasing cameras that don’t step on their other products toes. The Canon C300 Mk II feels very solid and is cased in a sturdy Magnesium chassis. The EOS C500 Mark II almost looks like the love child of an EOS C200 and an EOS C700 FF. The ProRes options and now Z Cam Raw makes life in post so much easier. 3.9 lb. Anyone who has used Canon Cinema EOS cameras will be familiar with the button style and layout. Via MON.1/2, VIDEO or HDMI Terminals (Not available from SDI Out 1 -4) Line Display/Line and Spot/Line Select/Field Display/RGB Display/YPrPb. Instead, it has dual CFexpress card slots as well as an SD card slot. The C200 is currently $6,499. This is where the Canon C300 Mark III really makes a practical difference. Thankfully both these cameras have changed that. If you really wanted that option you are better off with the C500 Mark II. on Canon C300 Mark III vs Canon C500 Mark II: When to pick which? The camera can shoot up to 60p, 5.9K, and 4K (2K recording at … While they probably could all release 8K cameras if they wanted to, there really isn’t a market for it yet. For a few thousand dollars more you have the choice of a RED GEMINI 5K S35 Sensor ($19,500 USD). Canon claims that this enhances image sharpness, curtailed moire, and produces a lowered visibility of noise at the higher ISO settings. MON. Just have a look at how long it took for 4K to evolve. The camera can shoot with Anamorphic lenses and will offer a monitored de-squeeze for 2x and 1.3x lenses. This is something Canon should have done years ago. As a comparison the ARRI ALEXA LF Large Format Camera features a 36.7mm x 25.54mm sensor, the Sony VENICE uses a 36.2 x 24.1mm sensor, and the MONSTRO 8K VV sensor that can be found in the RED WEAPON and Panavision Millennium DXL2 is 40.96mm x 21.60mm. Now let’s get into the camera video specifications: ^C-Log 2 has the highest dynamic range. I personally think this is Canon’s most significant announcement since the original C300. What you also have to take into account is that if you use the XLR inputs on the module, whatever you plug in is going to be sticking straight out (unless you have angled connectors). High frame rate recording is supported up to 168 fps using the 10-bit 422 flavor combined with the 2K centre crop. Dual Gain sensor architecture has been used by ARRI in their Alev III sensors for more than 10 years. The Cinema RAW Light files are about a 1/3 to 1/5 the size of Canon’s Cinema RAW format that has to be recorded externally from the EOS C300 Mark II and EOS C700. I wrote an article only a few weeks ago about the changing direction of the camera market, In that article, I wrote-. The EOS C500 Mark II uses Dual Pixel CMOS AF (DAF) Technology. The camera can record 5.9K at up to 60p, 4K, UHD, and 2K recording at up to 120p. : BNC jack, (output only, Camera Body). Use with the EVF-V70 when attaching to this camera. 3.5 mm stereo mini jack (output only, Camera Body). As they work together you don’t have to choose one or the other. Thanks for the article. The new model on the C500 Mark II is called the LM-V2 4.3″ LCD Monitor. Fair enough. V-mount plate with P-tap output (only V2), Lens control for certain supported lenses (only V2), About $5,000-$7,500 savings in investment, Lighter setup because you don’t need full frame lenses, Putting together a camera package in a modular system. If you’re interested in learning about lenses and how that would impact your purchase, check out these two articles: In terms of lenses, generally speaking, full frame lenses cost more than Super35mm lenses. 15:37. Switching to a Super35 crop enables 4K capture at up to 72 fps, and if you select a Super16 crop you can capture at up to 168 fps to CFast 2.0 cards. It is pretty clear, according to Canon’s own estimation, the Canon C300 Mark III is clearly better in terms of dynamic range. If you’re just using Canon still lenses then probably not. The EOS C500 Mark II is arguably just as good, if not better, at least on paper. At 3.9 lb it is only marginally heavier than the EOS C200 (3.2 lb). All modes take effect when the AF/MF switch of the EF lens is at the AF setting. Canon is the class leader here, and with Canon’s range of cinema lenses there’s nothing left to say. The C500 Mark II has a user-changeable lockable Canon EF mount that can be changed over to PL or standard EF. Phase, Gain and RGB adjustment, in tandem with Gamma selection, AWB, USER setting 01(setting range: 2000K to 15000K/ -20CC to +20CC), daylight, tungsten, settings (A/B), Area selection / area revision of two areas, (1) WPS [Wi-Fi Protected Setup] (push-button system, PIN code system) (2) Manual setup (3) Search for access points Open system, WPA-PSK, WPA2-PSK, WEP-64, WEP-128, TKIP, AES, Auto /manual, Latitude/Longitude/Elevation, Coordinated Universal Time (UTC), Daylight (5400K), Tungsten (3200K), Kelvin (2000K-15000K, 100K intervals), Set A, Set B, YES. Like all of the Canon Cinema EOS range, you are going to get a very solid, reliable camera, with great autofocus, that takes nice pictures straight out of the box. DAF also makes possible the Dual Pixel Focus Guide. Another tidbit about the test is about the lenses. The camera features the exact same sensor that is found in the EOS C700 FF. To further fine-tune AF performance, the camera has the ability to set the AF tracking speed and response. The sensor can operate in three different modes: The sensor can operate in three different modes: What is big news when it comes to the sensor and how it works is the addition of 5-axis sensor stabilization. The BP-A30 (3100mAh) and high capacity BP-A60 (6200mAh) are dedicated Li-ion battery packs for compatible Canon cameras. The RCV-100 remote control unit, useable via LANC or RS422 control. Log workflows provide the user with higher dynamic range, more highlight and shadow retention, and more flexibility in … Canon C500 Mark II 6K RAW Dynamic Range vs RED 8K Helium. You only output 4K 60 fps via 12G-SDI. DAF can survey the scene and recognizes not only whether the subject is in focus or not, but in which direction (near or far), and by how much. On/Off selectable: center, horizontal, grid, aspect, safety zone, and rectangular marker. With an image circle of 43.1mm, the C500 Mark II it is very similar to the Sony VENICE (43.14mm) and slightly smaller than the ARRI Alexa LF’s 44.71mm Open Gate. Let’s take a look! For true anamorphic, the sensor needs to span at least 21.95mm x 18.6mm. Well, that probably comes down to licensing issues and possibly patent infringements. I know a lot of people have been critical of Canon of late for releasing cameras with underwhelming specifications and features. The original C500 was our first high-end cinema camera aimed for Hollywood, and contained features that were considered ahead of its time. Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. A rod clamp that can be mounted onto the camera/handle, allowing the operator to use a 15mm rod for additional rigging purposes. As Steve Jobs famously once said, “If you don’t cannibalize yourself, someone else will.” With companies such as Blackmagic, Z CAM, and Kinefinity disrupting the market, the big manufacturers need to start cannibalizing themselves if they want to stay relevant. The CG-A10 is a dual battery charger for BP-A30 and BP-A60 Li-ion batteries. A tiltable 0.46-inch OLED viewfinder with1.77M dots that attaches to the camera’s extension terminal. It was a hugely popular camera for Canon, but just about everything else they have done since has been a little lacklustre, to say the least. Matthew Allard is a multi-award-winning, ACS accredited freelance Director of Photography with 30 years' experience working in more than 50 countries around the world. The addition of Canon’s Cinema RAW Lite to the EOS C500 Mark II is interesting. Just to be clear, anytime you select the full-frame shooting mode on the EOS C500 Mark II and you are recording XF-AVC you are oversampling the 5.9K sensor. Two independent image signals can then be detected at each photosite and compared using phase-difference to provide autofocus with compatible lenses. According to Canon, it is similar to the system used on the EOS R but more advanced. On the other hand, if you’re comparing apples to apples, with equivalent Super35mm frames, you can get similar IS with the C500 Mark II. 1-Stop Display: [100], 160(*), 200, 400, 800, 1600, 3200, 6400, 12800, 25600, [51200,102400] [—] Displayed when ISO speed expansion is ON. It’s a no-brainer, really. The Newsshooter forums have just launched. If yes, then the Canon C300 Mark III is the right investment for you. That's in the realm of a used Arri Amira. ARRI’s Pro Camera Accessories for the C500 Mark II are compatible with the C300 Mk3… While the file sizes and recording times may seem overwhelming to someone who isn’t used to shooting RAW, they are actually pretty small compared to most other digital cinema camera RAW formats. *As of this writing. Given that both the C500 Mark II and C300 Mark III share the exact same body, it is no surprise that they both weight 1.77 kg (3.9 lb). 18.69 megapixels (5952 x 3140): 5952 x 3140 or 4096 x 2160 or 2048 x 1080 selected resolution Approx. The EF mount has been a staple of the Cinema EOS ecosystem, but you have to wonder why they didn’t decide to go with the newer RF mount. First introduced in the EOS C200, Cinema RAW Lite is a proprietary Canon RAW format. This is true of photo lenses and cine lenses, broadly. Canon calls this the EU-V2 (Expansion Unit) and it is an optional accessory. These cookies do not store any personal information. The C300 Mark III is a super 35 beast with a lot of new tech and capabilities. The standard EF mount is non-locking. Yes. The camera can be customized to be quite small or quite large depending on what you are doing. One-Shot AF, Continuous AF, AF-Boosted MF, EF version: All compatible Canon EF lenses, Canon Cine Servo Lenses. This is the first time a digital cinema camera has utilized this technology. The EVF-V70 viewfinder for the EOS C700 will work. I’m not sure the future of the EOS C700 and EOS C700 FF is looking too good. The Plate for C300 MKIII/ C500 MkII can be used either shoulder mounted compatible with a VCT-14 style plate such as the QRP-1 or by using the Bridge Plate Adapter BPA-5 to mount the cine-style BP-8, BP-9 or BPS-2. There is a newly added On-Screen Display (OSD) peripheral. That’s a $600 dollar value right there. See the menu. I mainly do events, weddings, corparate. There is also an optional removable rear camcorder style viewfinder that costs $699 USD. carlosq00. I asked Canon, How does the EOS C500 Mark II differentiate from the EOS C700 FF? A user changeable lens mount kit that changes the mount to a PL Mount. The EOS C500 Mark II is certainly priced very aggressively given its feature set, but at $16K it sits firmly in a price category that has been evaporating. “Aesthetically, the C500mkII differs wildly from the C700 and is more compact and modular. The 50cm UN-5 cable is included with the camera whilst the 100cm UN-10 is an optional extra. The C500 mark II has rapid one-touch AF (with a push-button) and continuous AF within approximately 80% of the overall image area. MATT’S PICK: Canon C500 Mark II. Just select focal length during shooting to shoot with an electronic IS effect optimized for the settings. Canon C500 Mark II Canon’s new C500 Mark II features a 5.9K Full-Frame CMOS sensor, user-changeable lens mounts, electronic image stabilization, and internal cinema RAW light recording. The EOS C500 Mark II’s sensor is identical to that of the EOS C700 FF, except it uses new Digic DV 7 processors, instead of the Digic 5 that are found on the C700 FF. The Canon EOS C500 Mark II 5.9K Full-Frame Camera Body is part of the Cinema EOS lineup of cameras, and it features a full-frame CMOS sensor with an effective 18.69MP resolution. 32 steps. So what are the key selling points of the EOS C500 Mark II? The data rates are great, but you get that extra 6K RAW for higher-end productions. Amazingly, this is not mentioned in the Canon specs. Both cameras can record HD proxies simultaneously. If you use dual pixel AF, LUTs, etc., the consumption will be higher. When a lens that supports data transmission is attached, focal length data is automatically received through the digital contacts for shooting with optimized Electronic IS. With an image circle of 43.1mm, the C500 Mark II it is very similar to the Sony VENICE (43.14mm) and slightly smaller than the ARRI Alexa LF’s 44.71mm Open Gate. A high resolution (1920×1080) OLED electronic viewfinder with a wide colour gamut and multiple controls. OLED Electronic Viewfinder, EVF-V50 or EVF-V70, XLR 3-pin connector x2, 3.5 mm stereo mini jack (input only) Input 1 and 2 on camera body. The module also adds additional SDI ports and power outputs. I wish they'd priced the C500 II a bit cheaper. Yes, Input only, Camera Body. #CinemaEOS Canon’s Cinema RAW Light isn’t uncompressed, but the files still contain more than enough information to give you very clean images, good color accuracy and a smaller chance of seeing any image artifacts. BT.709 (Wide DR / BT.709 Gamut) LOG (Canon Log 2 / Cinema Gamut) HDR-PQ (HDR-PQ / BT.2020 Gamut) HDR-HLG (HDR-HLG / BT.2020 Gamut) USER5 to USER20 (Wide DR / BT.709 Gamut) * From BT.709, HDR-HLG is protected. It’s been over 7 years since the introduction of the original Canon C500, which used to be Canon’s flagship cinema camera before the C700 was introduced in 2016. The first module is not a recorder, it is essentially an audio and power box. Well, why not put them on the back of the camera? The Canon EOS C300 Mark III and the Canon EOS C500 Mark II are Cinema EOS stablemates offering the latest technology to give stunning visual results. The LV-M1 – LCD Touch monitor from the EOS C200 will work. For just Genlock, you can purchase the cheaper Canon EU-V1: It is clear if you need the cameras for any sort of regular broadcast work you will have to purchase the EU-V2 expansion unit. This needs to be tested with the same lenses under similar situations. In the end, we are confident the design of the C500mkII will please both seasoned Cinema EOS users and newcomers alike.”. Peaking 1, Peaking 2 (Colour, Gain, Frequency customisable), Level 1; Level 2; BothOutput via HD-SDI or HDMI. Clip development can then be easily adjusted in post using the downloadable Canon Raw Development (CRD) software. Like the C700FF, the image is still recorded squeezed and the final de-squeeze happens in post. The EOS C500 Mark II supports Canon Log 2 and Canon Log 3 Gamma. Wi-Fi capability TBC) 9 Mbps/4 Mbps:1920 X 1080 (59.94p/59.94i/ 50.00p/50.00i) optional EU-V1 or EU-V2 required, Canon’s proprietary specification (special 13-pin jack) for LM-V2 Monitor or optional EVF-V70 viewfinder or LM-V1 monitoror, Manual exposure determined by shutter setting, iris setting, ISO/gain setting and ND filter setting, Push Auto Iris, Auto Iris, Yes EF model all compatible lenses, PL Version compatible Canon Cine Servo lenses only with 12-pin connection on optional EU-V2. Yes. The only cameras that currently sits around the same price as the EOS C500 Mark II are the almost 7 years old Sony F5 ($16,490 USD), and the RED DRAGON-X 5K S35 Sensor ($19,950 USD). The CDX-36150 Codex ($7,000 US) mounts easily to the camera with only a couple screws and all operation options are controlled with the C700 menu system. In an effort to maintain the compact footprint for which Cinema EOS products are known, we are giving users the option to build the camera as they see fit, to make it as large or as small as they need, and setting forth a new era of modularity for the Cinema EOS line.”. This applies to both cameras. As for this moment, the brand new C300 Mark III is not on the list. ^Canon RAW is actually Canon RAW Lite, written internally, at about 1/3 to 1/5th data rates. What this means for the average shooter is that the image quality differences between the two might not be significant enough. (*) Displayed when ISO speed expansion is OFF. The C700 FF is designed for a full RAW workflow, while the companion C500 Mark II has Cinema RAW Light internal recording.”. and a height of 13 inches and boasting 2.8K imagery, The Arri Alexa!!!!! The EOS C500 never really took off and was not a commercial success for Canon. A 512GB SanDisk Extreme Pro CFexpress card has read speeds of up to 1,700 MB/s and write speeds of up to 1,400 MB/s. He is the Editor of and has been writing on the site since 2010. You can always buy cheaper batteries, but the same applies to both cameras. The rectangle turns green when the subject is in focus. It also does anamorphic internally. The EOS C500 Mark II uses an oversampling process from the 5.9K image capture to produce 4K (DCI or UHD). This means you don’t have to go down to 2K or HD just to get high frame rates, and you can take advantage of all the possibilities of 4K. We'll assume you're ok with this, but you can opt-out if you wish. ), Below is a detailed look at all of the optional available accessories for the C500 mark II. Sony F5 v. Canon C500… One important thing to note is you get a free 512 GB CFexpress card and reader with the C500 Mark II. A lot of EOS C700 FF owners may be very upset with this release. For me the Canon C500 Mark II strikes a great balance here. Dual Pixel Focus Guide presents the user with a rectangle in the centre of the EVF or monitor. (1,750g) and it has physical dimensions of (W x H x D) 6.0 x 5.8 x 6.6 in. Support for Raw debayering is needed from the manufactures if they choose to support the camera to record in ProRes or other codecs. Canon eventually discontinued the EOS C500 and now you can find it listed in Canon’s Camera Museum! According to Canon: For DAF, each pixel in the camera’s CMOS sensor is configured with two photodiodes. 709 conversion LUT in post, the resulting images between the two cameras are almost too close to call the difference on. BNC jack 1 x 12G-SDI Out (output only, Camera Body). Therefore, it was of ultimate importance for the engineers to maintain that philosophy with this new product, while also considering feedback from Cinema EOS users. Essentially this is very similar to what ARRI does with the ALEXA. But opting out of some of these cookies may have an effect on your browsing experience. Ye with optinal Expansion Unit EU-V1 and EU-V2. This website uses cookies to improve your experience while you navigate through the website. In other words, both are expected to produce stellar image quality that 99% of clients will approve of (the remaining 1% can pay extra for that Arri rental). In terms of image performance, it closely mirrors the features of, and is designed to be complementary to the C700 FF. Necessary cookies are absolutely essential for the website to function properly. HDR PQ and HDR-HLG output supported. It’s hard to see how the EOS C500 Mark II is not cannibalizing the companies EOS C700 FF. This enables you to record four separate audio tracks. Exclusive Bonus: Download your FREE Blueprint: How to make a movie. The Canon C300 Mark III cannot do true anamorphic due to the smaller sensor height. I have a feeling we may end up seeing 8K evolve at a similar pace. The extensive Pro Cine Set with BP-8 for Canon C300 Mk II from ARRI provides both lightweight, and tripod plate-based support for your Canon EOS C300 Mk II, C300, or C500 camera. The Canon RR-10 (10m) and RR-100 (100m) are compatible with the Remote Controller RC-V100 and the 8-pin remote terminal for enhanced performance short or long range connectivity. Via MON.1/2, VIDEO or HDMI Terminals. Canon just introduced the Canon C500 Mark II, the long-awaited successor to the C500, which takes a much more modular approach than previous cameras in Canon’s Cinema line-up. In post-production, Canon Log is designed to reproduce the entire tonal range that the CMOS image sensor is capable of.

canon c500 mark ii vs arri

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